The release of PUMA’s latest global campaign, titled Never Not Suede, marks a significant milestone in the brand’s efforts to recontextualize one of its most iconic silhouettes for a new generation. By enlisting French filmmaker and director Natas, PUMA has moved away from traditional high-gloss advertising, opting instead for a documentary-style aesthetic that prioritizes organic human connection and urban exploration. Filmed on location in Athens, Greece, the campaign serves as the visual anchor for the brand’s ongoing narrative regarding the versatility and historical significance of the Suede model, a shoe that has remained a constant in global subcultures since its debut in 1968.

This campaign is the culmination of a multi-phased production strategy that involved extensive collaboration between creative directors, stylists, and photographers. The initiative began several months ago with the appointment of photographer Maxime Ballesteros, tasked with capturing the initial stills, followed by the strategic vision of PUMA’s Fashion Director, Imruh Asha, who curated the aesthetic language of the project. The final phase, directed by Natas, ties these individual creative threads together into a cohesive filmic narrative that emphasizes the Suede as a utilitarian staple for the modern, creative urbanite.

The Genesis of the Vision
Natas, who hails from the Alpine town of Annecy, France, brings a distinct perspective to the project, rooted in the do-it-yourself (DIY) ethos of the skateboarding world. His professional trajectory is a testament to the importance of creative communities; he began his career by documenting his peers on a skateboard, an experience that taught him the value of raw, unscripted footage. This background provided the foundation for his approach to the Never Not Suede project, where he sought to capture the authenticity of friendships rather than the artificial perfection typical of fashion commercialism.

From the skate park to the monitor: How Natas directed PUMA’s new campaign

His transition from skate photography to high-end fashion film was facilitated by his involvement in the music industry, specifically through his work with Swiss rapper Dih-meh. This period allowed him to refine his ability to marry kinetic movement with a narrative arc. By applying this same methodology to PUMA’s campaign, Natas has successfully pivoted the brand’s image toward a more grassroots, community-focused identity.

Chronology of the Campaign Production
The production timeline for Never Not Suede spanned several months of meticulous preparation and on-set improvisation.

  • Phase 1: Strategic Planning and Casting. Unlike traditional campaigns that prioritize influencers based solely on reach, PUMA and the creative team focused on selecting cast members with authentic creative practices.
  • Phase 2: Photography and Still Life. Under the direction of Maxime Ballesteros, the visual language was established, focusing on texture, the materiality of the suede fabric, and the gritty, lived-in aesthetic of urban environments.
  • Phase 3: Styling and Creative Direction. Imruh Asha oversaw the integration of contemporary fashion with the classic silhouette, ensuring the Suede remained the focal point of a broader, modern wardrobe.
  • Phase 4: Film Production in Athens. The final leg involved on-location shooting in Greece, where Natas implemented his documentary-style directing technique. This phase was characterized by an openness to spontaneous moments, such as the discovery of a cast member’s unexpected talent for dance, which was subsequently integrated into the final edit.

Community as a Creative Pillar
At the heart of the campaign is the theme of collective progress. Natas emphasizes that the strength of his work is directly proportional to the quality of the team surrounding him. He frequently employs long-time collaborators, including chief operator Atalya, to maintain a working environment built on mutual trust. This collaborative spirit is intended to translate on-screen, creating a sense of camaraderie that resonates with the target demographic.

The locations chosen for the film further reflect this commitment to authenticity. One notable sequence, set in a restaurant converted into a temporary rave space, utilized a discarded meat refrigerator as a makeshift DJ booth. This detail, which Natas noted as a reflection of real-world experiences in Paris and Marseille, underscores the brand’s effort to ground the product in real-life, "lived-in" memories. By avoiding over-produced, sterile studio sets, the campaign positions the Suede as a durable companion for those who inhabit the fringes of city life.

From the skate park to the monitor: How Natas directed PUMA’s new campaign

Data and Market Context
PUMA’s focus on the Suede silhouette is a strategic decision rooted in the shoe’s long-standing cultural equity. Since its introduction in 1968, the Suede has transcended its origins as a basketball warm-up shoe to become a mainstay in breakdancing, hip-hop, and skate culture. Market analysis suggests that heritage products remain a core growth driver for sportswear brands, with retro-inspired footwear consistently outperforming new, experimental models in global retail markets.

By grounding the campaign in the "Never Not Suede" mantra, PUMA is reinforcing the product’s longevity. The strategy reflects a broader trend in the footwear industry: moving away from product-heavy, performance-focused marketing in favor of lifestyle-driven storytelling that emphasizes the shoe’s role in shaping personal identity. The campaign’s reliance on European urban centers like Athens serves to broaden the appeal beyond the North American market, signaling PUMA’s commitment to capturing the diverse youth culture of the EMEA region.

Professional Implications and Industry Impact
The shift toward director-led, documentary-style commercial production signifies a departure from the traditional agency-led model. By giving creatives like Natas significant autonomy, brands are better able to capture the elusive "authentic" tone that appeals to younger consumers who are increasingly resistant to overt advertising. The reliance on genuine friendships and pre-existing social circles within the cast suggests that PUMA is prioritizing social capital as a primary metric for brand engagement.

Industry experts observe that this approach effectively lowers the barrier between the brand and the consumer. When the narrative revolves around shared experiences—such as traveling to a new city, forming bonds, and navigating nightlife—the product becomes a secondary, albeit essential, participant in the user’s life. This creates a "soft sell" effect that is often more effective at building long-term brand loyalty than direct product promotion.

From the skate park to the monitor: How Natas directed PUMA’s new campaign

Official Perspectives on the Project
While PUMA has kept the specific budget and financial projections for the campaign confidential, the scale of the production—spanning multiple cities and involving high-profile creative directors—indicates a significant investment in the Suede franchise. Spokespeople for the brand have described the initiative as a "long-term commitment to the Suede’s legacy," suggesting that the "Never Not Suede" campaign will serve as a foundational element for future product iterations and collaborative releases.

The involvement of individuals like Imruh Asha and Natas is indicative of a broader industry trend where creative direction is increasingly decentralized. By leveraging the specific cultural capital of these individuals, PUMA is essentially outsourcing the "cool factor" to creators who have already built reputations within their respective niches.

Conclusion: The Future of the Suede
As the campaign concludes its rollout, the implications for PUMA’s future are clear: the brand intends to lean into its heritage while embracing the fluid, community-driven nature of modern creative work. By focusing on the story of the people who wear the shoes rather than the technical specifications of the footwear itself, PUMA is successfully positioning the Suede not just as a piece of athletic apparel, but as a cultural artifact that continues to evolve.

The success of this campaign may well serve as a blueprint for how other legacy brands approach their archive products in an increasingly fragmented digital landscape. As long as the narrative remains rooted in authentic human experience—the kind championed by directors like Natas—the Suede is likely to remain, as the campaign title suggests, "never not" relevant. For the creative community that PUMA is actively engaging, the challenge now lies in how to sustain this momentum, ensuring that the brand remains a constant in the ever-changing geography of youth culture and urban life.